Tuesday, June 18, 2013

We're shifting to bucksandcorn.com!

We are shifting!! With the recent launch of our movie website "BucksandCorn.com", we would be continuing the discussions on our shared passion for movies on a different platform.  We have loved your inputs and emails. Now you are all invited to meet us at our new home and be a part of it. We will be constantly working on our website, updating it, tweaking it, to improve its functionalities. And feel free to get in touch through our Contact Us page. Hope you have a great time! 


Sunday, June 16, 2013

Man of Steel: A visual treat with plenty of punches!

One of the highly anticipated movies of the year finally hit the big screens. And no other movie could have seen such varying reviews and opinions from the critics and audience. There are those who have loved every minute of it, and there are plenty who were expecting much more. Rotten Tomatoes has a modest 57% voting on the movie whereas Imdb has recorded a strong rating of 8.3 so far. Like it or not, Man of Steel seems to be the most talked of movie this year. And not surprisingly so. One of the most beloved comic characters was making his return on the big screen after seven years. Everyone would have had an opinion on how the movie should pan out. It was never going to be an easy job to satisfy them all, was it? 


Man of Steel wipes the slate clean for the Superman franchise and begins with the story of the origins of this Kryptonian. This movie is more about Kal-El, the birth name of Superman, than of Superman of Earth. The movie starts on Krypton, a far away planet, about to see the end of its civilization. The military commander General Zod (Michael Shannon) orders a coup to overthrow the ruling council. It is in this mayhem that the chief scientist of Krypton, Jor-El (Russell Crowe) and his wife decide to send their newly born son to a far-away planet , Earth, using an escape pod. The child Kal-El lands in Kansas and is raised on a  farm by Jonathan (Kevin Costner) and Martha Kent (Diane Lane). As Kal-El grows up and realises his extraordinary abilities, he seeks to understand his origins. The older Kal-El (Henry Cavill) is being investigated by a tough journalist Lois Lane (Amy Adams) who wants to uncover his story. Things are however to take a serious turn when the threat of General Zod returns. And it is then that Kal-El aka Clark Kent aka Superman will have to find out what kind of a person he is within.


Man of Steel scores top points for its visual appeal. The red and blue cape of Superman shines in the warmth of the sun, it sways with the breeze and it fits well on Henry Cavill. One of the things you have to complement the director Zack Snyder on, is that he knows how a shot should look. The scene when we first see Superman in his suit, as he steps out into the cold, is a treat and could not have been executed so craftily by anyone other than Snyder. Apart from the well used bright colour palette in this movie, Man of Steel is packed with action. Right from the beginning where Jor-El has to take out a few guards to ensure his son's safety to the dramatic finale of the movie which is like a big non-stop action flick in itself. The action scenes drive much of the movie, and stand out in their uniqueness with Superman and his adversaries moving at incredible speeds, dolling out punches that would flatten an elephant. There is great camerawork on display here, lovely CGI effects and this is when you can really understand how Superman is different from so many other superheroes. He's simply too fast and strong! Great job again by Znyder. 


The movie however falls a little flat in connecting the soul of the movie with the audience. The challenges that Kal-El has to face on Earth, the way he has to learn to adapt, those were recurring themes during the movie, but somehow never make you pity the kid. The screenplay was written by David Goyer with inputs by Christopher Nolan, and so I was expecting a bit more heart to the story. It wasn't completely missing, and that responsibility largely lay with the two fathers, Jor-El of Krypton and Jonahtan Kent of Earth. Some of the best lines of the movie come from these two characters, portrayed by accomplished actors in Russell Crowe and Kevin Costner, and it is their belief in the ability of the young Kal-El and their love for him, which becomes one of the highlights of the movie. 


As for the lead roles, Henry Cavill as Superman fits the bill perfectly. He has worked rigorously to look like the powerful Kryptonian and his youthful charm only further adds to the credibility of the superhero as we knew him from the comics. If this was to be the beginning of a franchise, a whole new generation could remember Superman as Henry Cavill, the way an older generation can think of no one else than Christopher Reeve in that suit. Amy Adams was one of the surprise performers in this movie, with a gutsy role of a journalist that she delivers perfectly well. It is good when the script of a movie of such genre does not make the lead actress end up only screaming and crying pitifully (though Amy Adams does have her moments), and this was one performance that I enjoyed as much as that of Peggy Carter (played by Hayley Atwall) in Captain America.


Michael Shannon shines as General Zod, delivering his lines with the right amount of emotions (which is usually minimal), looking like the military commander that he was supposed to be. He is ruthless and uncaring of anyone that comes in the path he has chosen for the Kryptonians, a message he informs Superman in no unambiguous words. To be the antagonist to such a powerful entity as Superman is a tough ask, and not only has the character of General Zod well scripted, it has been perfected on the screen by Michael Shannon. The movie boasts of a great acting cast, even in smaller roles, which can only be a good thing, right? So just like The Dark Knight franchise pulled in talented actors to create a great acting crew, Man of Steel completes things with Diane Lane as Clark Kent's mother and Laurence Fishburne as the editor of the newspaper Lois Lane is working for.   


The biggest complaint about Man of Steel would probably be its 143 minutes long run-time. Due to the intensity of the action towards the end, the length of the movie is not really bothersome then, but it does become a drag somewhere in the middle. Reducing the run time could have resulted in crisper editing and brought in a more slickness to the movie. It is on those counts that Man of Steel will not be talked of in the same breath as Batman Begins, which was the beginning of another rebooted series. It has however started off well at the box-office with collections till Sunday estimated to be $120 million to $140 million. Strong earnings could set the ball rolling for this franchise and even maybe for a Justice League feature film soon. But that is a story for another day. So for today, whatever one may feel were the shortcomings of Man of Steel, it still turned out to be a wonderful ride. Superman is indeed back!

Friday, June 14, 2013

Schwarzenegger to be back as Terminator

I'll be back. He had promised. He always promises. And he's lived up to it. The most loved line of one of the most iconic characters in cinematic history is about to come true. Arnold Schwarzenegger recently declared in a summit in Australia that he's "happy the studios want  me to be in Terminator 5 and to star as the Terminator". That is exciting news for all Terminator fans! No matter how Schwarzenegger ages, no matter how the sci-fi landscape in cinema changes, some events just seem right. Like Schwarzenegger playing the Terminator. 


In an April Fool's Day post, we pulled a prank when talking on the directorial duties for the next Terminator movie. While that part may not be the truth (though in a weird world it might still turn out to be), many parts of that post were. "The rights to the movies had been sold off in an auction in 2011 by The Halcyon Company that filed for bankruptcy. And picked up by a relatively unknown studio, Annapurna Pictures, which is inching up now in the market having produced the popular Zero Dark Thirty. All the details of the deal have been finalized only as late as December 2012." The director is yet to be announced, though a writing team has been put in place. Schwarzenegger says that shooting is to start from January. So things are finally moving in this franchise, and better late than never as there are still loose ends to tie, to complete what James Cameron started (though he considered the first two movies to be complete in themselves), to knit together the timelines in this movie series. And hopefully this will be done with style and class, a manner befitting the Terminator of the old. Live up to the memories, Arnie!


Schwarzenegger is really making up for lost time as an actor it seems. He's also going to reprise his role as Trench in The Expendables 3. A movie where Sylvester Stallone is all set to bring in bigger and badder action stars together (the casting of this movie makes news that a superhero movie would be proud of!). There is even word out on a possible sequel to Twins. Before all this, Schwarzenegger will be seen next in Escape Plan in October of this year and then Sabotage early next year. So there is a lot of Schwarzenegger to take in. Hopefully, the man will live up to his size!   

Thursday, June 13, 2013

A look back at Superman of the old

Before Henry Cavill put on the red and blue cape, it was donned by Brandon Routh. Before Routh, it was worn with pride and honour for a long time by Christopher Reeve. And before that it was the identity of George Reeves. George Reeves was one of the earliest actors to portray Superman on the big screen in 1951's Superman and the Mole Men. More like a trial run, this movie marked the beginning of the long-running TV series in the 50's, Adventures of Superman with Reeves continuing to play the superhero from Krypton. 


It was not before 1978 that the next depiction of Superman on the big screen was seen, with the story written by no one else but Mario Puzo. In one of the greatest castings ever done for superhero movies, an unknown actor was sought to play Superman and eventually a certain Christopher Reeve was cast who would go on to play the iconic role four times and largely define the appearance of Superman for many fans. Christopher Reeve starred in Superman (1978), Superman II (1981), Superman III (1983) and Superman IV: The Quest for Peace (1987). While the first two movies are considered iconic in the Superman film saga, the third and fourth ones shared a fate quite similar seen later on for the Batman movies of the 90's. They bombed at the box-office and were panned by the critics and audience. Superman needed something new now, a fresh start and that was not going to happen anytime soon. 


There were multiple scripts discussed in the studios later on, some even reaching advanced stages of pre-production with shooting schedules finalised. Numerous writers were brought in and directors roped in, including the likes of J.J. Abrams and Tim Burton, at different stages to get Superman kick-started again. But it took almost two decades for the big guy to return to the big screen in the aptly titled Superman Returns (2006). The costume was handed over to another relatively unknown actor Brandon Routh (who looks quite similar to Christopher Reeve) and the story was continued from Superman II. The movie did earn well, but not well enough to meet the expectations of Warner Bros and its proposed sequel never really took off. 


With Christopher Nolan having successfully and quite artistically revived Batman, his pitch for a revival of Superman on the basis of the story by David Goyer was well received by the studio. Nolan came on board as the producer and Zack Snyder was handed the duties of the director. And continuing with the tradition, another unknown actor in Henry Cavill was asked to follow the steps of George Reeves and Christopher Reeve to make Superman soar to his greatest heights. How well will Cavill do in this famous cape (though now without the red underwear in front)... we shall find out very soon! 


PS: With the numerous line of actors that have ever auditioned for a role as Superman or have been considered or even have been linked to this evergreen character, Nicolas Cage would have been one of the few who came the closest and yet never starred in a Superman movie. He was all set to play Superman in a Tim Burton movie but the project eventually never saw the light of day. What we did get to see was how Cage would have looked in that famous suit, thanks to photos released quite recently. Well, this is how it could have been for Nic Cage.. but some things are not meant to be.


Tuesday, June 11, 2013

First Trailer of The Hobbit: The Desolation of Smaug

It was a very long day for the tired man,
Yet he pushed on as much as he can,
And just when he wondered if it was all worth it, 
He was then rewarded with the trailer of The Hobbit.

                                                                              -- A very tired man

Enjoy the return of Legolas in the first trailer of the much awaited movie The Hobbit: The Desolation of Smaug


And the very first poster as Peter Jackson hands out the first treats to all those asking for candies! Now if only December was nearer...


Monday, June 10, 2013

Low budget film The Purge surprises at the box-office

I'll give you $3 million, what can you give me in return? That would have been the cry of the studios, Platinum Dunes and Blumhouse Productions, which have been quite effective in producing low-budget horror flicks in the past, to the team creating The Purge. But hardly anyone of them could have replied then that what they would create would be a horror flick which would generate revenues 12 times of its production budget in the first weekend itself! Yeah, you heard it right. On a production budget of a mere $3 million, the Ethan Hawke starrer The Purge raked in $36 million in the weekend gone by at the North America box-office. That has solidly put the film in the #1 spot, followed by Fast & Furious 6 which is in its third week, then Now You See Me (which has been another positive surprise, dropping only 34% in the second weekend) and the other new release The Internship.


Not many would have wondered much about The Purge before its release, but as low-budget horror flicks have had a way of surprising at the box-office, the exceptional results of this movie should thus not be surprising at all. Interestingly, the movie has really not gathered much positive reviews and does not even have the supernatural element; the broad story involves a world in 2022 when USA allows a 12-hour period each year wherein crimes are legalised, and it is then that Ethan Hawke is left with the task of protecting his family. Ethan Hawke is having a good time this year, with much critical acclaim already received for Before Midnight and now the commercial success of The Purge. He's got an action flick Getaway left for later in the year, let's see if he completes a hat-trick of success!   

  
In contrast, Vince Vaughn and Owen Wilson in The Internship have failed to shine in the manner they did previously in The Wedding Crashers. Arriving fourth at the box-office on the opening weekend itself is as bad as it gets, and for now it seems that horror has scored a point over comedy. Fast & Furious 6 and Star Trek Into Darkness, both have crossed the $200 million milestone in North America, and Iron Man 3 is less than $6 million short of hitting the $400 million mark. So that is how it panned out for the last weekend, and now we are less than a week away... just a few days left... one can almost hear the swish as he flies by, the flutter of his cape... almost there!    

Sunday, June 9, 2013

Now You See Me: Magic that entertains!

What is magic? It is deception, meant to entertain. It is trickery, that would still make you want to believe in the unbelievable. It gives you a sense of awe, of being around an extraordinary power, and even to the most skeptic it would still provide that teeny-tiny bit of fun. What are movies? Quite something similar, aren't they? Movies are magical acts too in a way. And so it most certainly is a grand act when you put one in the other. Magic and magicians in a movie. There are however not many that have managed to undertake this grand trick successfully. Christopher Nolan did it with much aplomb in The Prestige. And Edward Norton starrer The Illusionist is another which I recall that delighted with its magic tricks. So it has been refreshing for this year's summer lineup to include another trick up its sleeve in Now You See Me


Now You See Me begins with four street magicians (Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco) showcasing their trickery individually until they are brought together by a mysterious benefactor to perform a set of shows. An year later, the group now known as The Four Horsemen are enthralling a huge crowd with their tricks which finally culminates in robbing a bank miles away from them. The magic trick is unimaginable and baffles all, including the FBI agent (Mark Ruffalo) who has been handed this case along with an Interpol agent (Mélanie Laurent). Only one understands the sleight of hand that goes behind the magic, a former magician himself (Morgan Freeman) who now revels in uncovering magic tricks. But as the movie's tag line goes "The closer you look , the less you'll see", nothing is what it seems to be and the more you try to understand, the more baffled you are left. As Ruffalo struggles to understand the bigger picture, it becomes a race against time for him to stop The Four Horsemen from their next act, their next heist. 


The story for Now You See Me has been written by Boaz Rakin, who is the director of the classic sports movie Remember The Titans and has writing credits for The Rookie and Prince of Persia: The Sands of Time amongst a few others, along with the less known Edward Ricourt. The screenplay credits too go to the duo along with Ed Solomon, who at his peak wrote 1997's Men In Black. These gentlemen need to take a bow! While Now You See Me benefits from its stellar cast, its first hero is the story itself. Gripping, engaging, thrilling, there is no break in pace right till the end. It is one trick after another, and just when you feel that things are becoming clearer, they in fact get murkier. The biggest tricks that happen in the movie are the illusions that the audience are led to believe in, with deceptions that feel real, deceit that seems right. The story/screenplay is not air-tight, let's be clear on that, it is not The Prestige perfect and if you reflect on the movie after you step out, there will be  quite a few unanswered questions. But it is befitting a summer entertainer, it does its best to connect the many dots, and since a long time I have not heard so many 'oohs' and 'aahs' from the crowd during a movie. 


The director Louis Leterrier does get the rhythm of the movie right in most places. Leterrier knows how to entertain the audience, be it with a simpler story or a more elaborate one. His directorial work in the past includes Transporter and Transporter 2, Clash of the Titans and The Incredible Hulk. While none of them may feature in your 'great movie' lists, each one scores high in terms of sheer entertainment by keeping a fast moving pace throughout the duration of the film. Now You See Me falls in the same category and is helped by the presence of a better story. And interlaced with the action and magic, there are enough moments of humour, made more appealing by the fact that the characters become more lovable as the movie progresses. 


While the movie begins with the four magicians and the formation of The Four Horsemen giving the feeling that it would have Jesse Eisenberg as the main protagonist, it is in fact a Mark Ruffalo movie. One can call it Mark Ruffalo versus The Four Horsemen. Each of the actors in The Four Horsemen become instantly likable after the opening scene itself, where each one of them is shown performing an individual trick. And then throughout the movie, they are generally seen together, as a group. Eisenberg's quirky charm and Harrelson's crude wit is what gets the ball rolling in the right direction early on. Isla Fisher is charming and affable, adding the feminine touch to the group and Dave Franco (younger brother of James Franco; you can make it out with the distinct smile!) completes things with his youthfulness and energy. Michael Caine has a slightly limited role but there is hardly anything he can do wrong in acting. Morgan Freeman is untouchable as usual, his oh-so-godlike voice adding further magic to this story, and he always seems to be the one in the movie who knows more than he tells. As the movie grows, so does the presence of Morgan Freeman, and that is always a good thing!


Mark Ruffalo is one of the most underrated performers in Hollywood, or at least was until he could showcase his talent to a bigger audience with The Avengers. His acting is effortless (not much unlike Freeman himself), there is a feeling of genuineness in his performances, it flows smoothly rather than being banged up. His helplessness in getting to the magicians is evident and it builds up well as the movie reaches its finale. And the French actress Mélanie Laurent (who starred in Inglourious Basterds) completes the equation with her role of the agent who is willing to be more open, see the sides that Ruffalo is unwilling to, and tries to make him understand things better. 

Now You See Me is a through entertainer, but it lacks a crispness in the complete package that could have elevated its level. It does not disappoint, it does not slacken its pace, but it may not erupt into the finale for some that would have been expected along the way. But it sure is one of the better movies of the year, an year which has seen a slew of disappointments from known actors and directors, and so for being genuinely what it set out to be, this movie is definitely recommended.  

Ali's documentary When We Were Kings

It is always refreshing to come across an old movie that would have created a buzz in its times but you haven't seen it yet. It almost feels like going back in time, meeting with people whom you have forgotten, or never knew in the first place but should have. But I always knew of this guy. I bet almost everyone does. Even though I have not seen a single fight of his. He used to be known as Cassius Clay before he had it changed to the now unforgettable name of Muhammad Ali. 

Ali has had numerous fights in the ring that have gone down in history books as classics. And one of the famous ones is his bout against George Foreman; a chance for Ali to reclaim the Championship title after he got back his fighting licence, which had been cancelled due to his refusal to be drafted for the Vietnam War. Ali's fight with Foreman was to be in Zaire in Africa and had been dubbed The Rumble in the Jungle. The buildup to this fight and the fight in itself has been captured in the award-winning documentary When We Were Kings


When We Were Kings was shot in 1974, the year of the fight, but was released only in 1996 due to long lasting suits on the rights to the film. But after its release, it has been called one of the best boxing documentaries of all time. It won the Academy Award for Best Documentary Feature, and once you watch the movie, you too would agree. When We Were Kings is to be watched not only by boxing enthusiasts (who would have already watched it by now) but by anyone who wants to catch a glimpse of one of the greatest sportsmen and athlete of the previous century. The real star of When We Were Kings is Ali himself, not only for his pre-fight conferences laden with witty remarks and colourful insults to Foreman but also for the boyish enthusiasm he harboured to be the greatest boxer of his time. He has been an inspiration to many already, and documentaries like these allow people of a new generation to wind down the clock and get floored by the charisma of Ali, and to be inspired by the strength and endurance of his body, and more importantly that of his will. 


Ali was cocky, he was smart but he was cocky, and for a long time he was considered to be nothing more than an annoyance by the public. But he delivered in the ring, time and time again, which made people stand up and notice. He was given no chance in the bout with Foreman, he was the one who should have retired after the fight, but where the strength of his body might fail, he makes it up with the strength of his will which is quite unmatched. When We Were Kings brings this to light in a wonderful manner, a documentary which should not be missed. It is currently available on Youtube for free viewing (no copyright violations?). It has a runtime of close to 1 hr 30 mins, so free up some space in your busy timetable and let Ali entertain you! 

Saturday, June 8, 2013

After Earth: Promises so much, delivers so little

Before talking on After Earth, it would be insightful to know how this movie came to be. The story for the movie was conceived by Will Smith himself. It was then narrated to  screenwriter Gary Whitta (Book of Eli) who had the first screenplay written. Will Smith then contacted the director M. Night Shyamalan to take over the directing duties. It seems Shyamalan and Smith had been planning to collaborate for quite sometime and so Shyamalan  accepted. The screenplay was then further worked upon by Shyamalan and subsequently revised also by screenwriters Mark Boal (Hurt Locker) and Stephen Gaghan (Traffic). The film was to be produced by Will Smith's production company, Overbrook Entertainment, and due to its tie-up with Sony Pictures where the latter has the first right to choose to distribute the movies of Overbrook, Sony too got involved. After Earth was expected to be the beginning of a franchise. There were even books released such as After Earth: United Ranger Corps Survival Manual to add to the promotion of the movie. The reason I mention all this is so that one can understand there were a lot of efforts made in pre-production to turn After Earth into a spectacular sci-fi movie. Because after watching the movie, one would be left wondering whether anyone ever cared enough after all?


After Earth begins with a brief explanation on the destruction of the planet Earth that forced the human race to settle in another galaxy. When the new planet was attacked by alien beings, The Ranger Corps, a peacekeeping force, manage to emerge victorious because of the ghosting technique discovered by the Commander Cypher Raige (Will Smith), where one learns to suppress fear and thus becomes invisible to the aliens. Cypher's son Kitai Raige (played by real-life son Jaden Smith) is also trying to become a Ranger but has failed to advance so far. His relationship with his father is a bit strained, and so to ease things, father and son go together on Cypher's next voyage. During the space travel, the spaceship is forced to land on a quarantined planet, which is Earth. Cypher is injured in the crash landing and the way to survive is for Kitai to cover a 100-km journey to a beacon which is in a broken tail section that had been flung away. And so begins a mission for young Kitai to prove things to himself and his father and to bury his past ghosts. 


It is an interesting story, one that has so much to offer when you consider the potential. In the backdrop of the science-fiction theme, the father-son relationship could be explored deeper, and Kitai's journey to discover more of himself too. For great sci-fi films are not made by the grandeur of the visual effects, but by the depth of a story told in another time or another space altogether which makes the audience connect to the movie and at the same time experience the newness that the science fiction brings. After Earth had the story, but it never got the screenplay. Despite all those names that were mentioned earlier working on the script, the screenplay of After Earth is quite poor. The part of the movie until the crash landing is alarmingly boring, and that is quite a chunk of the runtime. The traits of the characters are thrust upon us rather than allowed to develop during the movie. And even the background score, despite being by James Newton Howard, is mediocre and does not do enough to enthuse. There are hardly any memorable dialogues, apart from the talk on 'Fear' that Cypher narrates to his son, and this too adds to the frustration of the weak screenplay. 


M. Night Shyamalan has worked on someone else's story for the first time, but even his previous The Last Airbender was not original material. That is saying something for a director who had started his career writing such wonderful stories as in The Sixth Sense and Signs, and then bringing them onto the big screen with crispness. Sony Pictures kept Shyamalan pretty much away from the movie trailers and promotions, pushing After Earth as a Will Smith movie. It is a fair strategy considering the fan reaction that is developing for Shyamalan after his movies are failing to live up to the reputation he once created for himself. But how much of the debacle of After Earth can be put on Shyamalan's shoulders?  This should not have been a Shyamalan film to begin with. The movie required visual appeal, a bit of splendour in the background. But the camera positioning did not seem to do justice to the set locations. There were too many close-up shots, or shots from behind following Kitai, limiting the wide angle shots that could have given a sense of the surroundings the actor was in. The action sequences were again wasted, that is not Shyamalan's forte. But one must acknowledge here the scene when Kitai jumps off a cliff and is then attacked by a condor mid-air. Splendid shot! Movie needed more of those, but alas, it wasn't to be! A director is however the one who calls the shots on the sets, and Shyamalan seems to have called the wrong ones. 


As for the acting, the biggest disappointment of the movie is Will Smith himself. Will Smith, who I thought could do nothing wrong. Well, there is always a first time. Smith's character was wooden, Smith's acting was wooden. We remember Will Smith as a man of varying emotions, who can light up the screen with his style and panache, be it the inquisitive and blabbering agent in Men in Black, the struggling but determined father in Pursuit of Happyness, or even the lonely man in I Am Legend. What Smith cannot do is play a Schwarzenegger of Terminator. He should never have played this role, it could have suited many more, but not him. His affable smile was missed here!


Jaden Smith had a tough ask to be the shining beacon for the movie. He does have his moments, manages to bring in more heart in the film which otherwise seemed pretty much extinguished. But he is not the finished product yet. He was lovable as the young kid in Pursuit of Happyness  and he surprised many by being the star of Karate Kid. But as the 15 year old grows, he would no longer be able to drive his movies through the 'cute' factor. After Earth though does not seem to be the platform to judge him, for it got things wrong on a lot of fronts and an actor shines better when things around him click too. These are still early days for Jaden Smith and as any great actor would tell him, you got to take the bumpy rides too in show biz! I would like to see him working on stronger projects, maybe stepping away from the protective custody of his father, allowing himself to learn his own lessons to mature as an actor. 

And a final word on M. Night Shyamalan, a director who I have still not lost faith in. Please, go back to what you did best! Starting with a story where each of the elements had a meaning, building a screenplay where each shot added more to the whole story, and then directing this in your style where things were not rushed but panned out at a pace that kept the audience hooked. There was no need for grand visual effects, no need for large budgets. It was movie making at its purest best, a director and his actors pouring their hearts out. Go back to the drawing board, Mr. Shyamalan, and I'll be eagerly awaiting your next movie!

Thursday, June 6, 2013

Commencement Speech by Joss Whedon

When certain people talk, you listen. Joss Whedon falls in that category. While many now know him as the director of The Avengers, his body of work exceeds that sole tag. He is the one behind the creation of quite a few TV series such as the popular Buffy the Vampire Slayer and the short-lived but cult hit Firefly, and is now working on Agents of S.H.I.E.L.D. He was one of the co-writers for Toy Story. He wrote and directed Serenity, he wrote and produced The Cabin in the Woods, and he of course wrote and directed The Avengers. So when Joss Whedon was invited for the commencement speech by his Alma mater Wesleyan University from where he graduated in 1987, it was a big deal! 

Joss Whedon's commencement speech talks of the inner conflicts within us, and learning to accept them and grow along with them. The best piece I liked from the speech is quoted here.
If you think that happiness means total peace, you will never be happy. Peace comes from the acceptance of the part of you that can never be at peace. They will always be in conflict. If you accept that, everything gets a lot better.
It is an insightful speech, and quite funny too! Watch it below, for when Joss Whedon talks, one must listen. 


A Zenpencils webcomic on a Roger Ebert quote

A friend told me about a site where famous quotes were weaved into storylines and then displayed in a comic book style. It sounded something creative, intriguing. But when he talked about having been hooked to it for four hours straight, that sounded like an exaggeration. It wasn't! This website, zenpencils.com, is run by Gavin Thuan who has worked as a graphic designer and is a cartoonist. The website is filled with wonderful cartoons with themes created around quotes from famous men and women. Most of these quotes are inspirational, that would make you think and ponder on many aspects of life, may even act as the bright spot you needed on a rather dull day. 


And it is the latest post by Gavin that has got me writing here. It is a story created around a quote by Roger Ebert, the famous critic who recently passed away after a prolonged battle with cancer, written in his autobiography. A quote on kindness which says somewhere "To make others less happy is a crime". It is a beautiful comic, about a young man's love for movies right till his death, and the way in which he believed in the concept of kindness. The above picture is just the beginning, and the whole artwork by Gavin is available here. Do read it and if you are browsing around, check out the comics based on quotes by C.S. Lewis, Chris Hadfield, Muhammad Ali, Stephen Fry, if not more. Great work, Gavin!

And am reminded once again of the Chicago Tribune tribute for Ebert at the end of this post. Great one! 

Wednesday, June 5, 2013

Knightley set to join Cumberbatch in the Alan Turing story

Alan Turing's life story is one filled with such contrasting emotions that you would be hard-pressed to find anything similar. A British mathematician, computer scientist and more simply a genius, Turing is considered the father of computer science and artificial intelligence. With such glorious epithets before his name, one would have expected Turing to have lived a life of prosperity and acclaim befitting a man of his intelligence, one who was instrumental in breaking numerous German ciphers during World War II. But as luck would have it, some people are born in the wrong era itself. At a time when homosexual acts was illegal in United Kingdom, Turing's homosexuality resulted in his criminal prosecution in 1952 and subsequent humiliating treatment at the hands of the authorities (in fact, in 2009, the then British Prime Minister offered an official public apology over the treatment of Turing). In June 1954, Turing was found dead. His cause of death, said to be from cyanide poisoning (contained in an apple), was declared to be suicide, though some claimed it to be accidental. And thus at the young age of 41, was lost one of the greatest minds of Britain.  


The Imitation Game is the title of the indie movie which plans to bring the story of Alan Turing on the big screen. The role of Turing will be played by the rising star of Britain, Benedict Cumberbatch, and that itself should be a good enough reason to keep your eyes open for this movie. Cumberbatch is already set to appear as Julian Assange in the biopic drama The Fifth Estate, later this year. Joining Cumberbatch, as Hollywood Reporter reports, is the recently married Keira Knightley, who will play "a woman from a very conservative background who not only forms a complicated relationship with Turing but is there for him until the end". Knightely has lost some steam in mainstream cinema post Pirates of the Caribbean, and it would be refreshing to see more of her on the big screen, starting with Jack Ryan opposite Chris Pine slated for a December 2013 release. But she has been involved in period flicks such as The Duchess and more recently, Anna Karenina, which could be a reason she is being sought after. The Imitation Game will be directed by the Norwegian Morten Tydlum, who was nominated for a BAFTA for 2011's Headhunters. There is no formal release date announced yet, though a late 2014 release could be on the cards if the casting goes ahead as planned. 

It seems like a strong casting for The Imitation Game, pairing Knightley with Cumberbatch, It's a mesmerizing story that deserves a narration on the big screen (only other movie on  Turing's life that I could locate is Breaking The Code, a 1996 TV movie). Hopefully, it will turn out to be something profound and thought-provoking, honouring the work and time of Alan Turing, in the way he deserves!   

Monday, June 3, 2013

After Earth crash lands at the box-office

Way back in 1999, a supernatural film titled The Sixth Sense from a relatively unheard of director released to an opening weekend earnings of about $27 million in North America. Fast forward fourteen years, and the latest film After Earth of the now no longer unknown director took in $27 million too from its opening weekend. The fate of the two movies could not have been more different. 


The Sixth Sense had released in only 2,161 theatres in the opening week and then slowly grew as the positive word-of-mouth propelled the movie forcefully forward. In contrast, After Earth opened in 3,401 theatres which would start declining soon. The Sixth Sense had a production budget of only $40 million, while the sci-fi After Earth has a budget of $130 million, more than three times. The Sixth Sense went on to gross $294 million in North America itself and $673 million worldwide. After Earth is not likely to find the legs to touch even $100 million in North America, and only Will Smith's international appeal can possibly save some reputation in the foreign markets. It seems M. Night Shyamalan's downward spiral as a director is refusing to slow down; when a sci-fi film with Will Smith in the cast, that looked so appealing from its trailer, and released in the prime summer time, fails, there is need for some deeper introspection here for Shyamalan. As I am yet to see the movie, I reserve my judgement on its quality, but it really did not turn out to be the life-saver one was thinking it would be. 

So who performed better last weekend than After Earth? Two movies in fact. Fast & Furious 6 took a serious fall, I mean really serious, with a 65% plummet for its second weekend earnings of $35 million and yet grabbed the top spot. It still is on track to do better than Fast Five. The surprise package of the weekend was Now You See Me with $28 million opening weekend earnings on a rather packed weekend. This movie of magicians with an ensemble cast has earned better reviews than After Earth, and is in fact the strongest debut for Summit Entertainment for a non-Twilight film. Star Trek Into Darkness is inching closer to the $200 million mark in North America and while it may fall short of its predecessor Star Trek domestically, it is all set to the become the biggest movie of the franchise in worldwide revenues. Epic on the other hand is well on its way to become the weakest movie for Blue Sky Studios. So mixed tales this weekend, and one more weekend left for the movies to build in their numbers... for Man of Steel flies into the theatres pretty soon!   

Sunday, June 2, 2013

Hans Zimmer back with Nolan for Interstellar

Casting news for a movie is one of the most interesting pieces of information that people scrounge for. But this casting, despite not being for any of the acting roles, would be loved and welcomed by many. For it attaches one of the greatest music composers of his era with one of the most awaited movies being made by one of the greatest directors in Hollywood at present. In other words, as Collider reports, Hans Zimmer has been attached to create the music score for the Christopher Nolan movie, Interstellar. Despite the movie slated for a November 2014 release, it seems the German composer has already begun work to create possibly another masterpiece!


Hans Zimmer is a legend in the Hollywood industry, having already composed music for more than a hundred movies. Not only are his compositions so clever in their style, it is the connection that he allows his music to create between the film and the audience which is exemplary. Of all the great works of Zimmer, who as a young boy would tie chainsaws to his piano to create different music, some of the most recent and prominent compositions include the scores for Nolan films, The Dark Knight trilogy and Inception. His music would again play an integral role in the highly anticipated Man of Steel where Nolan is the producer. So this Nolan-Zimmer partnership is just another reason to wait eagerly for Interstellar

Earlier this year, Nolan's Interstellar project had been announced with rumours of Mathew McConaughey to be cast in the lead role (an old post on this here). Those turned out to be true after all! So what we have so far on the movie is this... Christopher Nolan in the director's seat, screenplay to be written in collaboration with his brother Jonathan Nolan, McConaughey to star in the lead role, other leading cast include Jessica Chastain and Anne Hathaway, Michael Caine is back with Nolan too, Hoyte van Hoytema (Tinker, Tailor  Soldier, Spy) brought in as cinematographer for his first collaboration with Nolan, Mary Zophres (who has worked on many Coen brothers' movies) onboard as costume designer and now Zimmer as music composer. Still many slots to be filled in, but the anticipation is already building...

Saturday, June 1, 2013

Happy Birthday, Morgan Freeman!

June 1, 1937. The house of a school teacher and a barber in Memphis, USA, was blessed with their fourth child. A son. They named him Morgan. Morgan Freeman. While 76 years back no one could have envisaged the life's journey a young Morgan would have taken, now we cannot envisage the whole institute of Hollywood where the talented Morgan would not have been a part. The achievements of Morgan Freeman in the world of acting are too exemplary to even type, as words shall often fall short. The accolades he has won in this journey, numerous. The hearts he has won, plenty. The example he has set for many, inspirational. Morgan Freeman started late in Hollywood, but once he did, there was no stopping him. 

Acting is living, is the kind of line you would associate with Morgan Freeman. He makes it look effortless, as if there is no audience, there are no cameras, this is no job, it is simply living another chapter of your life. With the plethora of work that he has done in the past decades, Morgan Freeman may stand for something different for each one of us. Who is Morgan Freeman for you? Is he the patriotic Sgt. Rawlins from Glory, the illiterate driver Hoke Coleburn from Driving Miss Daisy, or the spent-out gun slinger Ned Logan from Unforgiven? Is he the prison inmate Red and the narrator of a soul-stirring tale from Shawshank Redemption, the retired boxer Eddie Dupris from Million Dollar Baby or the astute homicide detective Somerset from Seven? Is he the no-nonsense crime lord from Lucky Number Slevin, the gifted and perfect ally Lucius Fox in Batman Begins, or the all-powerful God from Bruce Almighty? And the list can keep going on further...

Everyone will have a Morgan Freeman role that will stand out and never be forgotten for ages to come. And there shall, I hope in all earnestness, be many more such roles to follow. As Morgan Freeman turns 76 today, we do only wish the best of things for him. Carry on the good work, Morgan... and thank you!


Morgan Freeman was nominated for his second Academy Award for his role in Driving Miss Daisy

Morgan Freeman starred alongside another great, Clint Eastwood, in the Western action flick Unforgiven

Morgan Freeman as Red in Shawshank Redemption in one of the most memorable roles in cinematic history

Morgan Freeman in the inspirational role of Nelson Mandela in Invictus 

Morgan Freeman as God in Bruce Almighty, a title he most certainly deserves